SILENCE SPEAKS ANDREOTTI RAIS - "BEHIND THE CHAOS TO TRIPOLI are the American oil tanker" - The Reappears DIVO OLDS TO GIVE HIS VERSION OF THE FACTS ON THE REVOLUTION Middle East: "Years ago I said that CRASH INFLUENCE ON LIBYAN INTERNAL PROBLEM TO COMPANIES American oil, not that I ever had the evidence, but a suspect and more than legitimate "- and then DEFENDS FRIENDSHIP WITH ITALIAN Gaddafi:" I can not expect the whole world is aligned to our models ...
From Blitzquotidiano
OIL WELLS
Chaos in Libya? According to Giulio Andreotti behind us would be "the interests of U.S. oil companies." The life senator published an editorial published in the journal "30 days" and taken up by Il Giornale.
Gaddafi THE AMAZON WITH BERLU
seems paradoxical, Andreotti writes, "that we are taken aback by these events while living in a world where, more than ever, we achieved each day by an impressive body of data and information . Maybe because we never go to investigate the phenomena, but we remain immediate impression that the news inspires us. We add the facts one after another, but we never make a comparison. "
GHEDDAFI CON ANDREOTTI
Poi l'affondo contro gli americani: "Anni fa dissi che sul problema libico influiva uno scontro interno alle compagnie petrolifere americane; non che io abbia mai avuto le prove matematiche, ma un sospetto che sia un elemento che influisce ancora sulla situazione è più che legittimo".
Invece Andreotti spezza una lancia a favore del nostro Paese: "L'Italia è stata molte volte accusata - e a torto - di avere un atteggiamento troppo indulgente verso Gheddafi. Certamente Gheddafi ha idee e caratteristiche diverse da noi, ma non possiamo pretendere che tutto il mondo sia allineato ai nostri modelli.
ANDREOTTI
Noi abbiamo sempre voluto dare l'impressione the Libyans, because it responds to the truth, respects their special characteristics, even when they showed their pride against the era of Italian colonialism. Then the Libyans saw us as enemies but as enemies, and this is perhaps the difference with the present moment. "
by Dagospia
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